Whoops, this slipped through the cracks for a while…been busy traveling to Pittsburgh, reading papers, stimulating young minds with my dazzling intellect, etc.
Hipsters watching Timbre play yet again.
Paper Route rockin’ the theremin.
The crowd was definitely into it. A very high energy show…
…which was only helped by numerous trips to the mini- drum-set above the piano.
Children 18:3 bringing their uniquely fun, cheesy, trash-punk to a sweaty tent somewhere at the festival.
Eisley packed out the Gallery Stage, complete with people lining up around the sides of the tent.
And put on what was perhaps the most solid show I’ve heard from them yet.
It’s definitely worth mentioning that earlier in the day, their little sister put on a quite decent acoustic set…
The always sultry Over the Rhine came on last, for their second set of the festival.
Ex-VOL Kenny Hutson tore it up, as usual.
All in all, a very solid show–and it was great to hear some drums again, after the last, stripped-back show we saw them at in NC. Oddly, the MC spurted on stage after the set and called it a night, despite rumors that there was at least a three song encore planned. By that point, if nothing else, everyone around us seemed royally tired out…and OTR’s famously prickly attitude toward music festivals and the events’ accompanying foibles had already been fully displayed that evening. Who knows.
There was more going on the next day, but we had to be back in DC before too long. And so it was time for the 16+ hours back to the east coast.
Throughout the week, a gentleman named Eric Greene was leading a discussion on the Planet of the Apes movies in the “Flickerings” tent. The place was aptly named. The light was terrible, it was hot in the tent, and the projector sucked–but it was a surprisingly great discussion of “How does popular culture help people wrestle with their deepest conflicts?”
My little brother and I went to go hear Aaron from mewithoutYou speak on whatever topic was on his mind that day (always an unpredictable, but ridiculously honest and interesting conversation). Unfortunately, we got the host of that particular tent instead, who got up and promptly began rambling on in the most defensive way possible about his own ministry and his past endorsement of Aaron. The tent was jam-packed with kids, who all looked very confused as the gent talked about “the responsibility of the stage.” I leaned over to my brother–“I think this is leading up to a disavowal of the band because of the latest album.”
Sure enough, after a ton more rambling for the better part of an hour, someone finally yelled out “is Aaron coming?” whereupon the host became even more defensive and said “I don’t know where he is!” Needless to say, the tension got even more awkward by that point–especially when he asked if anyone else had concerns about mewithoutYou’s last album and proceeded to lead group prayer for them, after saying how much he loved them, of course.
Word of advice. If you’re ever in a situation like that, just start off by saying the speaker isn’t coming–and leave it at that. Defensive manipulation will never help you or anyone else, in the long run.
And especially don’t go into that dreaded tangent about “Satan was a worship leader in heaven.” Sorry, but to the best of my knowledge, that’s a ludicrous argument on every possible level, and completely without any theological backing whatsoever (besides a solitary mistranslated, vague scripture from the King James–but feel free to prove me wrong in the comments).
Up until that point, Cstone had been an incredible model of faith-filled dialogue and tolerance for wrestling with big questions, such as I’ve rarely seen modeled by religious communities. I mean, this is the place that semi-famously welcomed avowed atheist David Bazan back with more or less open arms. Ahh well, maybe it was just the cost of each of the many tents being independently run, more or less–and thankfully, it was the only incident of the kind that I heard about or witnessed.
With an uncomfortable taste still in our mouths, we went back to the Gallery stage (where we spent most of the festival, come to think of it) and listened to some new Nashville talent. Rhona Kelly had a great alt-country voice and we had fun chatting with her when we ran into her later in the day, as well.
Kirsten had fun participating in a songwriting seminar with Jan Krist throughout the week. It paid off–I had fun sneaking in and watching Kirsten entrance a tent full of participants the next day with her song. (As an interesting sidenote, Jan is apparently the mother of one of the members of Blind Pilot).
You never know who might show up to listen along with you…
It was great to hear Brooke Waggoner with a full band this time around (Nate R, eat your heart out). Her live show is (surprisingly?) energetic and the hipsters around us were smiling a mile a minute–definitely catch a show, if you ever can.
In case you were wondering, gentle hipster folk was not necessarily the main draw at the festival, given that there were well over a hundred bands officially playing. Out of curiosity, I checked out some of A Plea for Purging‘s brutal set…and was amused by the scene, as always.
The Almost (the drummer from Underoath‘s main gig, now) on the mainstage–another place we didn’t spend much time. And Cstone was very unique in that the mainstage didn’t feel like the mainstage–very few people seemed to camp out there all week long, with so many other stages constantly pumping out a wide variety of music. Throughout the week I tried to gauge how many people were at the festival–25k? 50k?–but to no avail. They were simply too far spread out.
Yeah, Skillet brought their mainstream crotch-rock ethos and it was ridiculous. And I sort of smiled at the one song I checked out. I mean, there were great balls of fire (whose heat I could feel from the back of the crowd), the guitarists went up and down on elevator platforms, and there was a live, dueling string section. Pre-recorded or not, it’s been a while since I’ve seen that kind of cheese-tastic show.
Getting back to our regularly scheduled program, Kate York lent her jaw-dropping sense of melody to the hymns project of the host of the gallery stage that day, The Wayside. Really, if you don’t check out anyone else, you owe it yourself to take a listen to her deceivingly simple, honey-coated bitter-pill sad songs.
After coming from 98+ degree weather in DC, the cool 80s of Illinois farmland were quite welcome to wake up to. By the end of the week, the organizers were claiming it was the best weather they’ve enjoyed in 25+ years. I was quite willing to take it–especially with so many dirty hippies nearby.
We had to go into Bushnell to find some propane for the stove graciously lent to us. It was the kind of place where the store clerks called down the aisles to ask customers where was the best place for us to go…”You at that festival?” the young lady at the farming supply store five miles outside of town (past two houses, left on the paved road–not the stone one, and then you go around a long curve…) asked me. “Yep. You ever been?” She shook her head, a smile on her face. “Nope.”
The conversations we participated in during the week were, to say the least, thought provoking: “Prophetic Activism” to “Ecoterrorism,” “Understanding the Middle East” to “Songwriting…” We stumbled into this particular talk about “Reimagining Church” during our lunch hour with two crazy guys, Peter and Brad, who overtly express a commitment to social justice and community building in some unusual ways. It ended up being one our favorite discussions.
Speaking of unusual characters, Jim Fitz was an anabaptist farmer who decided to become a peacemaker. As in a human shield. In the midst of military conflict. Needless to say, he had my attention.
Because twenty some stages wasn’t enough…
Shooting some skateboarders doing tricks behind a wire fence…
mewithoutYou was as engrossing as ever, with a great selection from their discography. Aaron was as awkward as ever, but his twitch always comes across as one of humility–and his recent attempts to plumb the works of both the Sufi mystics of his youth and Christian beliefs of today and arrive at some sort of conclusion has my full sympathy. Alas, the next day would show not everyone shared my perspective, in the only truly awkward moment of the week…
The Lost Dogs put on a rollicking good show, full of their Traveling Wilburys -esque sensibilities. All of the members had been on and off the stage the rest of the day, supporting each other’s solo acts. Which was a repeated trend we saw at Cornerstone, one that I’ve never seen at a festival before. Bands/labels/music scenes sort of adopted each stage and just hung out there all day, helping out everyone who came on. It felt almost more like a musical residency, at times, than an agenda-packed festival. And that was a good thing. Anyway, the, umm, rather more mature audience around me was quite appreciative of the Lost Dogs’ (much bantered about) reliance on reading both old and new lyrics from music stands strategically sprinkled around the stage.
The band from my childhood that sealed our decision to come to Cstone was up next–but that’s a post unto itself.